It has been almost three years since Jars of Clay released Shelter, a disc which Glenn McCarty of Crosswalk.com heralded as “a clarion call to unity” relative to the Christian community. Lead singer Dan Haseltine noted, “…we were already thinking about a project that would be specific for the church.” But on Inland, their first release as an “indie” band, the central focus is a bit more existential.
In an interview with Hans Schiefelbein, keyboardist Charlie Lowell says of Inland:
It’s where we all live- caring about work, family, faith, doubt, the world around us- but really struggling to connect them and find lasting meaning out of them all. So we approached this record process with that in mind- our goal was to write in those specific moments of humanity, and to put the many voices we have accumulated over the years behind us.
Since 1995 when their debut single “Flood” further closed the gap between pop and Christian music, Jars have been a band that refused to compromise their faith nor their crossover viability. For every directly religious “Love Song for a Savior” there was a more universally accessible “Work“. Yet even amidst the brambles of praise and pop music that is their entire catalog, they always managed to present the subject matter with a poetic elegance so both believer and non-believer alike could take in the experience.
Being Agnostic allowed for a first hand appreciation of Jars’ artisanship, a sentiment which I thought peaked at their 2006 release Good Monsters. It is with great joy that I announce Inland as the new standard. Taking its theme from The Odyssey, the new disc asks the listener to reflect on their pilgrimage through life. The beauty in its presentation is that you do not need to have faith in God for the message to resonate.